"Lyrisches Intermezzo" by Heinrich Heine

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The "Lyrische Intermezzo" is one of the most famous works by Heinrich Heine. In addition to a prologue about a lonely knight, it contains 66 poems that offer good analytical approaches.

This is a lyrical interlude

Most people know what "lyrical" means, but the word "intermezzo" causes difficulties for many. In fact, it is an interlude that is more familiar from the musical field. In the case of very serious operas, for example, there is the intermezzo, which is supposed to loosen up the mood a little. Heinrich Heine's lyrical interlude actually served to loosen up, because it appeared for the first time in a book that contained two tragedies. The two tragedies were thus divided. But what are the 66 poems about? An analysis approach gives you an overview.

Analysis of Heinrich Heine's work

  • The "Lyrical Intermezzo" begins with a prologue. It's about a knight who always looks strange in public and is laughed at for it. When his sweetheart visits him, he blossoms, but then it seems as if he just imagined her.
  • This prologue gives a good overview of the following poems: Often it is about love, but again and again it is about disdain, ridicule and misery.
  • The emotions change so often here that you can hardly keep up. So follows "You don't love me" - "Oh, don't swear and just kiss".
  • It is interesting that you can see each poem for yourself as well as look at the entire work. The analysis of the individual poems is usually easy because Heine does not write particularly encrypted. Mostly it is about the above-mentioned topics, usually the poem ends with a punch line.
  • Sonett analysis - you should pay attention to this

    Sonnets are often used in schools and universities as examples of poetry ...

  • If you look at the entire work, it is noticeable that it seems like the pen of a young man who falls from one emotion to the next. This gives the work a great deal of liveliness and at the same time an overview of Heine's emotional world.
  • The end of the whole thing is also interesting: In the last lines of "Die alten, böse Lieder" the lyrical ego lays down his love and his pain in a coffin and sink him - here at the latest the chaotic emotional journey is then past.

Conclusion: Heinrich Heine's lyrical Intermezzo is an exciting work full of analytical possibilities.

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