Because you are not here from Mascha Kaleko
'Because you're not there' is a famous love poem by Mascha Kaleko. The analysis of this poem deals not only with the grief, which is already evident in the title, but also with the loss of a loved one.
'Because you are not there' - summary of the poem
- 'Because you are not there' is a poem by Mascha Kaleko that deals with the subject of a loss in love. The poem was published in 1998. Mascha Kaleko worked on this work for almost 50 years.
- The poem consists of six stanzas. A lyrical self speaks to the reader who is feminine.
- The first stanza of 'Because you are not there' reflects the situation of the lyric self. The current situation, seen emotionally as well as objectively, is presented.
- In the second stanza the lyrical ego responds to feelings it has towards the outside world. The environment as it is felt by the lyric self is described.
- A more specific representation of the impressions of the environment around the lyric self is given in the third stanza. This reflects the feelings towards the city.
- The listed impressions and sensations in the fourth and fifth stanza, in which the lyrical self on the one hand describes great longing, on the other hand it also gives insight into the desolation of his emotional world.
- The last stanza of 'Because you're not there' reflects the neutrality of the lyrical self as well as the gradual acceptance of the situation.
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Brief analysis of the work of Mascha Kaleko
- Even the title of the poem by Mascha Kaleko evokes the analysis in the analysis that the lyrical ego feels great longing. This impression is further emphasized in the course of the poem. Verses found on lines 23–24 reflect the grief of being abandoned.
- The analysis also shows that the lyrical self is in the spring season, but does not, as is usually the case, perceive it as pleasant and loving. (Lines 4-8)
- The fifth stanza of 'Because you're not there' is the climax of the poem. The lyrical self is hiding more and more in loneliness and is looking for peace. However, the furniture and objects are personalized so that they cannot be a distraction either. (Lines 17-20)
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