Style features from Art Nouveau simply explained
Art Nouveau is an epoch in art history that occurred in several European countries in the transition period from The nineteenth to the twentieth century was common and its stylistic features from the declared search for modernity were shaped.
Art Nouveau in Germany
In Germany the relevant art epoch received the Names Art Nouveau, as well as in Northern European countries as well as in Latvia and the Netherlands. In France, Italy and Austria, the art style became popular under other names.
- The name Art Nouveau is on a magazine for Culture which was first introduced at the end of the 19th century. Century appeared in Munich under the name "Jugend".
- Art Nouveau is by no means a uniform art form, but rather brings together various programs under one term that lead to Part of the implementation of the overarching principles of total works of art, as can be seen in the example of the Palais Stoclet in Brussels is.
Style features of the era
- The external stylistic features, which are often very idiosyncratic to the viewer because they appear unusual, which date back to the epoch of the Characterizing Art Nouveau are mainly floral elements and surfaces, curved lines and the renouncement of Symmetry.
- In addition, the artistic work of Art Nouveau is based on the claim that the functionality of furniture, for example, should be expressed through its appearance. This means that the formal and artistic design was not subordinated to the task of an object, but represented it even more.
- This requirement for an aesthetic appearance of functionality in the architecture of houses becomes particularly clear, which has now been granted that rooms in their arrangement were allowed to "grow out" of their floor plan, so to speak, and develop their shape beyond symmetrical specifications could.
- In the opinion of the artists, the stylistic features of that epoch should clearly set themselves apart from previously existing styles, stand for themselves and give things a modern character. This also included turning away from the previously common architectural styles and consciously expanding the artistic programs to include everyday objects.
- The idea that life and art should merge with one another was reflected in the creation of total works of art such as the aforementioned Brussels Palais. All objects of life, including the architecture of the house, were uniformly designed according to the formal characteristics of Art Nouveau.
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